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The Project Gutenberg EBook of The Mark of the Knife, by Clayton H. Ernst This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Mark of the Knife Author: Clayton H. Ernst Illustrator: Chase Emerson Release Date: January 16, 2010 [EBook #30985] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MARK OF THE KNIFE *** Produced by Juliet Sutherland, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net THE MARK OF THE KNIFE BY CLAYTON H. ERNST WITH ILLUSTRATIONS BY CHASE EMERSON BOSTON LITTLE, BROWN, AND COMPANY 1920 _Copyright, 1920_, By LITTLE, BROWN, AND COMPANY. _All rights reserved_ Published October, 1920 Norwood Press Set up and electrotyped by J. S. Cushing Co. Norwood, Mass., U. S. A. [Illustration: IN THEIR EYES, FOR THE TIME BEING AT LEAST, IT SURPASSED THE BATTLE OF THE MARNE.] CONTENTS I THE NEWCOMER II A BLEMISH III A PLAN AND A GAME IV TWO VISITS AND A THEFT V TEENY-BITS' CHANCE VI DISCOVERIES VII ON THE EVE OF THE STRUGGLE VIII STRANGE CAPTORS IX THE GREAT GAME X AT LINCOLN HALL XI MYSTERIES IN PART EXPLAINED XII A VISIT TO CHUAN KAI'S XIII DAYS OF PLEASURE XIV A TALE OF THE FAR EAST ILLUSTRATIONS In their eyes, for the time being at least, it surpassed the battle of the Marne At the beginning of the final quarter Coach Murray sent in Teeny-bits to take the place of White Only three of them had a chance to reach the Ridgley player From the foot of the slide they mounted slowly, tracing backward the five double tracks THE MARK OF THE KNIFE CHAPTER I THE NEWCOMER Ridgley School, with its white buildings set comfortably among the maples and the oaks that crown the flat top of the hill a mile to the west of the village of Hamilton, attracts and holds the attention of all eyes that fall upon it. Partly perhaps because the dormitories and the recreation halls fit into the landscape and do not jut boldly and crudely above the trees--as so many buildings on hilltops do--there is an air of hominess and informality about the place which
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