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. From the opening of the National Convention to the reaction of "Thermidor" it is estimated that more than three million people assisted at what they rightly, or wrongly, considered as a "spectacle" staged only for their amusement. By the time Napoleon had come into power the Tuileries was hardly habitable, and before taking up his residence he was obliged to make immediate and extensive transformations. On February 19, 1800, Napoleon, still First Consul, left the Palais de Luxembourg and took up his residence in the Tuileries, the Third Consul, Lebrun, being lodged in the Pavillon de Flore, in the "Petite Appartement," which Marie Antoinette had fitted up for her temporary accommodation when in town. Lebrun, however, gave up his lodging to the Pope when the Pontiff came to Paris at Napoleon's orders. Consul Cambaceres, however, refused to shelter himself beneath the roof of the Tuileries, and indicated a preference for the magnificent Hotel d'Elboeuf, which was accommodatingly put at his disposition. Napoleon entered the Tuileries in state, preceded and followed by an imposing cortege. At the gate of the Carrousel the consuls alighted from their carriages, and were received by the Consular Guard. On their arrival the consuls read the following inscription posted at the entrance: "On August 10th monarchy in France was forever abolished; it will never be restored." By the 20th of February the inscription had disappeared. Besides, orders were given to cut down the two liberty trees which had been planted in the courtyard. On August 10 a large quantity of cannon shot had been lodged in the facade of the Tuileries, and around the shot were written these words: "Tenth of August." The cannon balls disappeared, as well as the inscriptions, when the Arc de Triomphe was erected on the Place du Carrousel. This alteration gave great satisfaction. It was important for the tranquillity of France that the new government should inherit rather the sword of Charlemagne than the guillotine of Marat. [Illustration: _Salle des Marechaux, Tuileries_] The imperial court soon displayed its splendour and magnificence in the Palais des Tuileries, as a foregone conclusion anticipated. In a gorgeous and imposing Salle du Trone one might have seen in the deep casement of the central window, standing up, their hats off, the group of the Corps Diplomatique, the members of which, loaded with decorations, ensigns, and diamonds, tremb
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