FREE BOOKS

Author's List




PREV.   NEXT  
|<   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193  
194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   >>   >|  
si, and flowers must wreathe themselves about the poop; leopards and tigers must be crouching before him, and dolphins must be sporting round. But I want to have the fair-haired Ariadne with him, made immortal with her golden crown--that is not in Ovid's story, but no matter, you will conceive it all--and above there must be young Loves, such as you know how to paint, shooting with roses at the points of their arrows--" "Say no more!" said Piero. "I have Ovid in the vulgar tongue. Find me the passage. I love not to be choked with other men's thoughts. You may come in." Piero led the way through the first room, where a basket of eggs was deposited on the open hearth, near a heap of broken egg-shells and a bank of ashes. In strange keeping with that sordid litter, there was a low bedstead of carved ebony, covered carelessly with a piece of rich oriental carpet, that looked as if it had served to cover the steps to a Madonna's throne; and a carved _cassone_, or large chest, with painted devices on its sides and lid. There was hardly any other furniture in the large room, except casts, wooden steps, easels and rough boxes, all festooned with cobwebs. The next room was still larger, but it was also much more crowded. Apparently Piero was keeping the Festa, for the double door underneath the window which admitted the painter's light from above, was thrown open, and showed a garden, or rather thicket, in which fig-trees and vines grew in tangled trailing wildness among nettles and hemlocks, and a tall cypress lifted its dark head from a stifling mass of yellowish mulberry-leaves. It seemed as if that dank luxuriance had begun to penetrate even within the walls of the wide and lofty room; for in one corner, amidst a confused heap of carved marble fragments and rusty armour, tufts of long grass and dark feathery fennel had made their way, and a large stone vase, tilted on one side, seemed to be pouring out the ivy that streamed around. All about the walls hung pen and oil-sketches of fantastic sea-monsters; dances of satyrs and maenads; Saint Margaret's resurrection out of the devouring dragon; Madonnas with the supernal light upon them; studies of plants and grotesque heads; and on irregular rough shelves a few books were scattered among great drooping bunches of corn, bullocks' horns, pieces of dried honeycomb, stones with patches of rare-coloured lichen, skulls and bones, peacocks' feathers, and large birds' wi
PREV.   NEXT  
|<   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193  
194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   >>   >|  



Top keywords:
carved
 

keeping

 

garden

 

corner

 

thicket

 

amidst

 

marble

 

armour

 

fragments

 
confused

painter

 

admitted

 

thrown

 

showed

 

hemlocks

 

yellowish

 

mulberry

 
nettles
 
cypress
 
stifling

leaves

 

lifted

 

penetrate

 

luxuriance

 

wildness

 

trailing

 

tangled

 

scattered

 
drooping
 

bunches


bullocks
 
grotesque
 

plants

 
irregular
 
shelves
 
pieces
 

skulls

 

peacocks

 
feathers
 
lichen

coloured
 

honeycomb

 

stones

 
patches
 
studies
 

streamed

 

pouring

 

fennel

 

feathery

 

tilted