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A storm of comment, ejaculation, exclamations of wonder! Ivan closed his ears; and opened them again only for the young Contessa Contarini, who, at a nod from her mother-in-law, undertook enlightenment. Then--one half-hour in the dim-lit corner of an inner boudoir,--and Ivan found himself at last _au courant_ of the great scandal of 1869, which, wonderful to relate, was still, after nearly eighteen years, almost as interesting as ever: the persistent presence of its heroine almost as astonishing as in the first days of her ostracism. It was in the autumn of the year 1867, when the reign of the Liberator was in the fulness of its fame, that a certain scandal _intime_ began, in St. Petersburg, to divide interest with the still engrossing topic of the freed serfs. Every one in society took sides, for or against, in the quarrel and separation of the young Prince and Princess Nikitenko: both of whom had been, since their marriage, high in the graces of the Grand-Ducal circle, and leaders of the fastest set in the capital. When the trouble between them became noticeable, gossip ran fast and furious; partly for the reason that no human being seemed to understand just where the cause of the difficulty lay. Whispered mention of the Grand-Duke Constantine, madcap-libertine, hero of a thousand escapades, tended in no way to lessen the interest, though of evidence there seemed none. The climax proved to be a fitting one, however; for, early in March, the Princess, with two maids, a valet, her entire wardrobe, and all save the hereditary jewels, disappeared from the ken of humankind. Six weeks later she was heard from in Florence, where she remained in seclusion during the summer, but in the autumn opened a _salon_ which, in point of brilliance, elegance, and distinction, eclipsed every other in the Tuscan capital. The young Princess was a woman of remarkable education, and tremendous gifts.--So much was always admitted.--Her beauty was a moot point: her _chic_, never! She threw herself eagerly into the study of those arts which have made modern Italy what it is; and she rapidly gathered about her the most talented young men in that part of the country. In the January of 1869 this company was signally augmented by the arrival of one Vittorio Lodi, a young Roman tenor; over whose voice--one of those natural organs found only in that land of the sun--Florence speedily went mad. Up to the middle of the ensuing February, the pres
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