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ension that is not to be acquired by any means, divined the same thing in his new-found companion, and took a great risk to prove his surmise true. Ivan had not an inkling of what Vladimir ventured in taking him to that exclusive little palace, where, did his protege prove a boor, he knew well he should never find a place for himself again. But Vladimir had spent many an evening at the opera with Ivan; and had studied well the expressions that Mozart, Rossini, Donizetti, even Flotow, at his best, could bring out upon his companion's mobile face. And her Royal Highness was well known to reward the discoverer of any new man of talent in her special art. On that mid-January evening of Ivan's first appearance at the palace on the quays, the scene that greeted his eyes was the same that afterwards became so familiar to and so beloved by him. In the centre of the square, well-lighted, bare _salon_, which, used only for these evenings, contained not one of the customary hangings, or any medley of useless toys and ornaments, stood a great Erard, its shining top raised, flanked by two long stands heaped with music of every description. At the right of the instrument, willingly accepting second place, stood the arm-chair of the Grand-Duchess; and about her, in an informal circle, each one quite at ease, sat or stood twenty or thirty men, young and old, with possibly half a dozen women. At the piano, engaged in marking a sheet of manuscript music, was a short, heavy-set person, with a leonine mane and deep, brilliant eyes: a man known all over Europe, and to be known throughout America: one Anton Rubinstein, pianist, a maker of music. At his elbow, but talking to a frail-looking woman, was his brother, Nicholas, destined always to be overshadowed by Anton, but to whom the cause of Russian music was to owe far more, in the end, than to the more showy _virtuoso_. In the knot about Madame Helena's chair were Zaremba, Serov, Glinka, Balakirev, Stassov, Lechetizsky--for the moment a special protege of the Grand-Duchess, and even young Rimsky-Korsakov, at this time merely a Conservatoire pupil. Finally, far away, at the end of the room, stood a long table, whereon were two unlighted samovars, flanked by golden platters of sandwiches, cakes and caviare, together with piles of untouched plates. At the entrance of the two young men, de Windt grasping Ivan by the arm, the Grand-Duchess turned, in time to hear their names announced. And
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