of course, an old Roman.

"Portraying, as well as I could, by my countenance, attitude, and
manner an individual high in authority, and commanding others, as if
he expected to be obeyed.

"Looking and acting as if I were giving out a specific order to many
persons, and threatening punishment on those who should resist my
authority, even the punishment of death.

"Here was a pause in the progress of events, which I denoted by
sleeping as it were during the night and awakening in the morning, and
doing this several times, to signify that several days had elapsed.

"Looking with deep interest and surprise, as if at a single person
brought and standing before me, with an expression of countenance
indicating that he had violated the order which I had given, and that
I knew it. Then looking in the same way at another person near him as
also guilty. Two offending persons were thus denoted.

"Exhibiting serious deliberation, then hesitation, accompanied with
strong conflicting emotions, producing perturbation, as if I knew not
how to feel or what to do.

"Looking first at one of the persons before me, and then at the other,
and then at both together, _as a father would look_, indicating his
distressful parental feelings under such afflicting circumstances.

"Composing my feelings, showing that a change was coming over me, and
exhibiting towards the imaginary persons before me the decided look of
the inflexible commander, who was determined and ready to order them
away to execution. Looking and acting as if the tender and forgiving
feelings of _the father_ had again got the ascendency, and as if I was
about to relent and pardon them.

"These alternating states of mind I portrayed several times, to make
my representations the more graphic and impressive.

"At length the father yields, and the stern principle of justice, as
expressed in my countenance and manners, prevails. My look and action
denote the passing of the sentence of death on the offenders, and the
ordering them away to execution.

* * * * *

"He quickly turned round to his slate and wrote a correct and complete
account of this story of Brutus and his two sons."

* * * * *

While it appears that the expressions of the features are not confined
to the emotions or to distinguishing synonyms, it must be remembered
that the meaning of the same motion of hands, arms, and fingers is
often modifie