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s going and going until it declines into a thing with no sort of resemblance to its original self. Barring its weight and hardness, the Sponge hat had no particular character apart from the Sponge head. It was not one of those punty ovals or Cheshire-cheese flats, or curly-sided things that enables one to say who is in a house and who is not, by a glance at the hats in the entrance, but it was just a quiet, round hat, without anything remarkable, either in the binding, the lining, or the band, but still it was a very becoming hat when Sponge had it on. There is a great deal of character in hats. We have seen hats that bring the owners to the recollection far more forcibly than the generality of portraits. But to our hero. That there may be a dandified simplicity in dress, is exemplified every day by our friends the Quakers, who adorn their beautiful brown Saxony coats with little inside velvet collars and fancy silk buttons, and even the severe order of sporting costume adopted by our friend Mr. Sponge is not devoid of capability in the way of tasteful adaptation. This Mr. Sponge chiefly showed in promoting a resemblance between his neck-cloths and waistcoats. Thus, if he wore a cream-coloured cravat, he would have a buff-coloured waistcoat, if a striped waistcoat, then the starcher would be imbued with somewhat of the same colour and pattern. The ties of these varied with their texture. The silk ones terminated in a sort of coaching fold, and were secured by a golden fox-head pin, while the striped starchers, with the aid of a pin on each side, just made a neat, unpretending tie in the middle, a sort of miniature of the flagrant, flyaway, Mile-End ones of aspiring youth of the present day. His coats were of the single-breasted cut-away order, with pockets outside, and generally either Oxford mixture or some dark colour, that required you to place him in a favourable light to say what it was. His waistcoats, of course, were of the most correct form and material, generally either pale buff, or buff with a narrow stripe, similar to the undress vests of the servants of the Royal Family, only with the pattern run across instead of lengthways, as those worthies mostly have theirs, and made with good honest step collars, instead of the make-believe roll collars they sometimes convert their upright ones into. When in deep thought, calculating, perhaps, the value of a passing horse, or considering whether he should have beefs
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