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The Project Gutenberg eBook, The Son of Clemenceau, by Alexandre (fils) Dumas This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Son of Clemenceau Author: Alexandre (fils) Dumas Release Date: October 1, 2004 [eBook #13572] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE SON OF CLEMENCEAU*** E-text prepared by Steven desJardins and Project Gutenberg Distributed Proofreaders THE SON OF CLEMENCEAU A Novel of Modern Love and Life A Sequel to _The Clemenceau Case_ by ALEXANDER DUMAS (FILS) CHAPTER I. STUDENT AND SOLDIER. The sunset-gun had been fired from the ramparts of the fortifications of Munich and the shadows were thickly descending on the famous old city of Southern Germany. The evening breeze in this truly March weather came chill over the plain of stones where Isar flowed darkly, and at the first puff of it, forcing him to wind his cloak round him, a lonely wanderer in the low quarter recognized why "the City of Monks" was also called "the Realm of Rheumatism." The new town, which he had not yet seen, might justify yet another of its nicknames, "the German Athens," but here were, in this southern and unfashionable suburb, only a few modern structures, and most of the quaint and rather picturesque dwellings, overhanging the stores, dated anterior to the filling up of the town moat in 1791. The stranger was clearly fond of antiquarian spectacles, for his eye, though too youthful to belong to a Dryasdust professor, and unshaded by the almost universal colored spectacles of the learned classes, gloated on the mansions, once inhabited by the wealthy burghers. They were irregular in plan and period of erection; the windows had ornamental frames of great depth, but some were blocked up, which gave the facades a sinister aspect; the walls had not only ornamental tablets in stucco, but, in a better light, would have shown rude fresco paintings not unworthy mediaeval Italian dwellings. Many of the fronts resembled the high poops of the castellated ships of three hundred years ago, and they cast a shadow on the muddy pavement. As they resembled ships, the slimy footway seemed the strand w
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