ation of gathering
together "rococo chairs, spring sofas, carved bookcases, satin from
cardinals' beds and the rest." Before long Browning amused himself in
picking up for a few pauls this or that picture, on seeing which an
accomplished connoisseur, like Kirkup, would even hazard the name of
Cimabue or Ghirlandaio, or if not that of Giotto, then the safer
adjective Giottesque.
Although living the life of retirement which his wife's uncertain state
of health required, Browning gradually obtained the acquaintance of
several interesting persons, of whom Kirkup, who has just been
mentioned, was one. "As to Italian society," wrote Mrs Browning, "one
may as well take to longing for the evening star, for it seems quite
inaccessible." But the name of Elizabeth Barrett, if not yet that of
Robert Browning, was a sufficient introduction to cultivated Englishmen
and Americans who had made Florence their home. Among the earliest of
these acquaintances were the American sculptor Powers, Swedenborgian and
spiritualist (a simple and genial man, "with eyes like a wild Indian's,
so black and full of light"), and Hillard, the American lawyer, who, in
his _Six months in Italy_, described Browning's conversation as "like
the poetry of Chaucer," meaning perhaps that it was hearty, fresh, and
vigorous, "or like his own poetry simplified and made transparent." "It
seems impossible," Hillard goes on, "to think that he can ever grow
old." And of Mrs Browning: "I have never seen a human frame which seemed
so nearly a transparent veil for a celestial and immortal spirit. She is
a soul of fire enclosed in a shell of pearl." A third American friend
was one who could bring tidings of Emerson and Hawthorne--Margaret
Fuller of "The Dial," now Countess d'Ossoli, "far better than her
writings," says Mrs Browning, "... not only exalted but _exaltee_ in her
opinions, yet calm in manner." Her loss, with that of her husband, on
their voyage to America deeply affected Mrs Browning. "Was she happy in
anything?" asks her sorrowing friend. The first person seen on Italian
soil when Browning and his wife disembarked at Leghorn was the brilliant
and erratic Irish priest, "Father Prout" of _Fraser's Magazine_, who
befriended them with good spirits and a potion of eggs and port wine
when Browning was ill in Florence, and chided Mrs Browning as a
"bambina" for her needless fears. Charles Lever "with the sunniest of
faces and cordialest of manners"--animal spirits p
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