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bright glances on her friends, confident, intelligent, full of interest in life, carried along in turn by one and by another influence, she comes before us a young and charming figure, with all the spires of Norwich for a background, and the sound of its bells, and the stir of its assizes, as she issues from her peaceful home in her father's tranquil old house, where the good physician lives widowed, tending his poor and his sick, and devotedly spoiling his only child. II. Amelia Opie was born in 1769 in the old city of Norwich, within reach of the invigorating breezes of the great North Sea. Her youth must have been somewhat solitary; she was the only child of a kind and cultivated physician, Doctor James Alderson, whose younger brother, a barrister, also living in Norwich, became the father of Baron Alderson. Her mother died in her early youth. From her father, however, little Amelia seems to have had the love and indulgence of over half a century, a tender and admiring love which she returned with all her heart's devotion. She was the pride and darling of his home, and throughout her long life her father's approbation was the one chief motive of her existence. Spoiling is a vexed question, but as a rule people get so much stern justice from all the rest of the world that it seems well that their parents should love and comfort them in youth for the many disgraces and difficulties yet to come. Her mother is described as a delicate, high-minded woman, 'somewhat of a disciplinarian,' says Mrs. Opie's excellent biographer, Miss Brightwell, but she died too soon to carry her theories into practice. Miss Brightwell suggests that 'Mrs. Opie might have been more demure and decorous had her mother lived, but perhaps less charming.' There are some verses addressed to her mother in Mrs. Opie's papers in which it must be confessed that the remembrance of her admonition plays a most important part-- Hark! clearer still thy voice I hear. Again reproof in accents mild, Seems whispering in my conscious ear, and so on. Some of Mrs. Alderson's attempts at discipline seemed unusual and experimental; the little girl was timid, afraid of black people, of black beetles, and of human skeletons. She was given the skeleton to play with, and the beetles to hold in her hand. One feels more sympathy with the way in which she was gently reconciled to the poor negro with the frightening black face--by being told the story
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