eks and brilliant eyes,
And quivering lips on which the tide
Of courtly speech abruptly died,
And a glance which over the crowded floor,
The dancers, and the festive host,
Flew ever to the door.
That the knights eyed her in surprise,
And the dames whispered scoffingly:
"Her moods, good lack, they pass like showers!
But yesternight and she would be
As pale and still as wither'd flowers,
And now to-night she laughs and speaks
And has a colour in her cheeks;
Christ keep us from such fantasy!"--
Yes, now the longing is o'erpast,
Which, dogg'd by fear and fought by shame,
Shook her weak bosom day and night,
Consumed her beauty like a flame,
And dimm'd it like the desert-blast.
And though the bed-clothes hide her face,
Yet were it lifted to the light,
The sweet expression of her brow
Would charm the gazer, till his thought
Erased the ravages of time,
Fill'd up the hollow cheek, and brought
A freshness back as of her prime--
So healing is her quiet now.
So perfectly the lines express
A tranquil, settled loveliness,
Her younger rival's purest grace.
The air of the December-night
Steals coldly around the chamber bright,
Where those lifeless lovers be;
Swinging with it, in the light
Flaps the ghostlike tapestry.
And on the arras wrought you see
A stately Huntsman, clad in green,
And round him a fresh forest-scene.
On that clear forest-knoll he stays,
With his pack round him, and delays.
He stares and stares, with troubled face,
At this huge, gleam-lit fireplace,
At that bright, iron-figured door,
And those blown rushes on the floor.
He gazes down into the room
With heated cheeks and flurried air,
And to himself he seems to say:
"_What place is this, and who are they?_
_Who is that kneeling Lady fair?_
_And on his pillows that pale Knight_
_Who seems of marble on a tomb?_
_How comes it here, this chamber bright,_
_Through whose mullion'd windows clear_
_The castle-court all wet with rain,_
_The drawbridge and the moat appear,_
_And then the beach, and, mark'd with spray,_
_The sunken reefs, and far away_
_The unquie
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