cular one was no great matter. The book paid, but
not largely. The McClellan and Sheridan books, likewise, were only
partially successful. Perhaps the public was getting tired of war
memoirs. Webster & Co. undertook books of a general sort--travel,
fiction, poetry. Many of them did not pay. Their business from a march
of triumph had become a battle. They undertook a "Library of American
Literature," a work of many volumes, costly to make and even more so to
sell. To float this venture they were obliged to borrow large sums.
It seems unfortunate that Mark Twain should have been disturbed by these
distracting things during what should have been his literary high-tide.
As it was, his business interests and cares absorbed the energy that
might otherwise have gone into books. He was not entirely idle. He did
an occasional magazine article or story, and he began a book which he
worked at from time to time the story of a Connecticut Yankee who
suddenly finds himself back in the days of King Arthur's reign. Webster
was eager to publish another book by his great literary partner, but the
work on it went slowly. Then Webster broke down from two years of
overwork, and the business management fell into other hands. Though
still recognized as a great publishing-house, those within the firm of
Charles L. Webster & Co. knew that its prospects were not bright.
Furthermore, Mark Twain had finally invested in another patent, the
type-setting machine mentioned in a former chapter, and the demands for
cash to promote this venture were heavy. To his sister Pamela, about the
end of 1887, he wrote: "The type-setter goes on forever at $3,000 a
month.... We'll be through with it in three or four months, I reckon"
--a false hope, for the three or four months would lengthen into as
many years.
But if there were clouds gathering in the business sky, they were not
often allowed to cast a shadow in Mark Twain's home. The beautiful house
in Hartford was a place of welcome and merriment, of many guests and of
happy children. Especially of happy children: during these years--the
latter half of the 'eighties--when Mark Twain's fortunes were on the
decline, his children were at the age to have a good time, and certainly
they had it. The dramatic stage which had been first set up at George
Warner's for the Christmas "Prince and Pauper" performance was brought
over and set up in the Clemens schoolroom, and every Saturday there were
plays or rehearsals
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