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e foot could climb the stair, Or the heart's pulses count the sum of ten, Through both dread shapes, as at God's finger-touch, A shiver ran, the wavering outlines broke, And suddenly a chill and mist-like breath Touched Nokes's cheek as he at casement leaned, And nought was left of that most piteous pair Save two long rapiers of some foreign make Lying there crossed, a mass of flaky rust. O luckless carver of dead images, Saint's-head or gargoyle, thou hast seen a sight Shall last thee to the confines of the grave! Ill were thy stars or ever thou wert born That thou shouldst look upon a thing forbid! Now in thine eye shall it forever live, And the waste solitudes of night inhabit With direful shadows of the nether world, Yet leave thee lonely in the throng of men-- Not of them, thou, but creature set apart Under a ban, and doomed henceforth to know The wise man's scorn, the dull man's sorry jest. For who could credence give to that mad tale Of churchyard folk appearing in broad day, And drifting out at casement like a mist? Marry, not they who crowded up the stair In haste, and peered into that empty cell, And had half mind to buffet Master Nokes, Standing with finger laid across his palm In argumentative, appealing way, Distraught, of countenance most woe-begone. "See!--the two swords. As I 'm a Christian soul!" "Odds, man!" cried one, "thou 'st been a-dreamin', man. Cleave to thy beer, an' let strong drink alone!" So runs the legend. So from their long sleep Those ghosts arose and fled into the night. But never bride came to that dark abode, For wild flames swept it ere a month was gone, And nothing spared but that forlorn old tower Whereon the invisible fingers of the wind Its fitful and mysterious dirges play. End of the Project Gutenberg EBook of Wyndham Towers, by Thomas Bailey Aldrich *** END OF THIS PROJECT GUTENBERG EBOOK WYNDHAM TOWERS *** ***** This file should be named 1830.txt or 1830.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/3/1830/ Produced by Donald Lainson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that n
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