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n for a minute, which seemed to me a long time. As it opened into the gallery, that is to say, outwards, I could not see what was passing in the room behind the door. At that moment I noticed a strange sound, three times repeated, coming from the park. Ordinarily I should not have attached any more importance to it than I would to the noise of cats on the roof. But the third time, the mew was so sharp and penetrating that I remembered what I had heard about the cry of the Bete du bon Dieu. As the cry had accompanied all the events at the Glandier, I could not refrain from shuddering at the thought. Directly afterwards I saw a man appear on the outside of the door, and close it after him. At first I could not recognise him, for his back was towards me and he was bending over a rather bulky package. When he had closed the door and picked up the package, he turned towards the dark closet, and then I saw who he was. He was the forest-keeper, the Green Man. He was wearing the same costume that he had worn when I first saw him on the road in front of the Donjon Inn. There was no doubt about his being the keeper. As the cry of the Bete du Bon Dieu came for the third time, he put down the package and went to the second window, counting from the dark closet. I dared not risk making any movement, fearing I might betray my presence. Arriving at the window, he peered out on to the park. The night was now light, the moon showing at intervals. The Green Man raised his arms twice, making signs which I did not understand; then, leaving the window, he again took up his package and moved along the gallery towards the landing-place. Rouletabille had instructed me to undo the curtain-cord when I saw anything. Was Rouletabille expecting this? It was not my business to question. All I had to do was obey instructions. I unfastened the window-cord; my heart beating the while as if it would burst. The man reached the landing-place, but, to my utter surprise--I had expected to see him continue to pass along the gallery--I saw him descend the stairs leading to the vestibule. What was I to do? I looked stupidly at the heavy curtain which had shut the light from the window. The signal had been given, and I did not see Rouletabille appear at the corner of the off-turning gallery. Nobody appeared. I was exceedingly perplexed. Half an hour passed, an age to me. What was I to do now, even if I saw something? The signal once given I could not
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