IX. EIGHTEEN 179
XX. REBELLION 186
XXI. THE TEMPTER 198
XXII. A FRIEND IN NEED 208
XXIII. THE BEGINNING OF THE STORY 218
XXIV. DESIRES AND DREAMS 229
XXV. MISS EMILY 235
XXVI. DOLORES 245
XXVII. HIDDEN THINGS 258
XXVIII. A COQUETTE 270
XXIX. NIGHT TALKS 279
XXX. THE LAUNCH OF THE ARIEL 290
XXXI. GREEK MEETS GREEK 303
XXXII. THE BETROTHAL 315
XXXIII. AT A QUILTING 323
XXXIV. FRIENDS 329
XXXV. THE TOOTHACRE COTTAGE 335
XXXVI. THE SHADOW OF DEATH 339
XXXVII. THE VICTORY 351
XXXVIII. OPEN VISION 358
XXXIX. THE LAND OF BEULAH 368
XL. THE MEETING 376
XLI. CONSOLATION 380
XLII. LAST WORDS 387
XLIII. THE PEARL 393
XLIV. FOUR YEARS AFTER 398
The frontispiece (Mara, page 376) was drawn by W.L. Taylor. The vignette
was etched by Charles H. Woodbury.
INTRODUCTORY NOTE.
The publication of _Uncle Tom's Cabin_, though much more than an
incident in an author's career, seems to have determined Mrs. Stowe more
surely in her purpose to devote herself to literature. During the summer
following its appearance, she was in Andover, making over the house
which she and her husband were to occupy upon leaving Brunswick; and
yet, busy as she was, she was writing articles for _The Independent_ and
_The National Era_. The following extract from a letter written at that
time, July 29, 1852, intimates that she already was sketching the
outline of the story which later grew into _The Pearl of Orr's
Island_:--
"I seem to have so much to fill my time, and yet there is my Maine story
waiting. However, I am composing it every day, only I greatly need
living studies for the filling in of my sket
|