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[250] Lilly, the astrologer, in his memoirs, notes that Thomas Howard, Earl of Arundel (the famous collector of the Arundelian marbles now at Oxford), "brought over the new way of building with brick in the city, greatly to the safety of the city, and preservation of the wood of this nation." [251] This proclamation "for the suppression of coffee-houses" bears date December 20, 1675, and is stated to have been issued because "the multitude of coffee-houses, lately set up and kept within this kingdom, and the great resort of idle and dissipated persons to them, have produced very evil and dangerous effects," particularly in spreading of rumours, and inducing tradesmen to neglect their calling, tending to the danger of the commonweal, by the idle waste of time and money. It therefore orders all coffee-house keepers "that they, or any of them, do not presume from and after the tenth day of January next ensuing, to keep any publick coffee-house, or utter, or sell by retail, in his, her, or their house, or houses (to be spent or consumed within the same), any coffee, chocolate, sherbett, or tea; as they will answer it at their utmost peril." TRUE SOURCES OF SECRET HISTORY. This is a subject which has been hitherto but imperfectly comprehended even by some historians themselves; and has too often incurred the satire, and even the contempt, of those volatile spirits who play about the superficies of truth, wanting the industry to view it on more than one side, and those superficial readers who imagine that every tale is told when it is written. Secret history is the supplement of history itself, and is its great corrector; and the combination of secret with public history has in itself a perfection, which each taken separately has not. The popular historian composes a plausible rather than an accurate tale; researches too fully detailed would injure the just proportions, or crowd the bold design, of the elegant narrative; and facts, presented as they occurred, would not adapt themselves to those theoretical writers of history who arrange events not in a natural, but in a systematic order. But in secret history we are more busied in observing what passes than in being told of it. We are transformed into the contemporaries of the writers, while we are standing on the "vantage ground" of their posterity; and thus what to them appeared ambiguous, to u
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