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an this, and was quite free from that mere prurient itch of perverted sensuality which inspires the Puritans of our time. This religious terror, barbarous and hideous as it was in many of its manifestations, may have been a legitimate expression of subconscious panic in the presence of something that, at least now and then, was really antagonistic to the general welfare. Why should there not arise sometimes great demonic forces, incarnated in formidable personalities, who are really and truly "humani generis hostes," enemies of the human race? The weird mediaeval dream of the anti-Christ, drawn from Apocalyptic literature, symbolises this occult possibility. Because a writer has immense genius there is no earthly reason why his influence upon the world should be good. There is no reason why it should be for the happiness of the world, putting the moral question aside. In the classic ages the State regulated literature. In the Middle Ages, the Church regulated it. In our own age it is not regulated at all; it is neglected by ignorance and expurgated by stupidity. The mob in our days cringes before great names, the journalist exploits great names, and the school-master dishes them up for the young. No one seriously criticises them; no one seriously considers their influence upon the world. The business man has a shrewd suspicion that they have no influence at all; or certainly none comparable with that of well placed advertisements. Meanwhile under the surface, from sensitive minds to sensitive minds, there run the electric currents of new intellectual ideas, setting in motion those psychic and spiritual forces which still, in spite of all our economic philosophers, upheave the world. Was Rousseau, more than any one, more than Voltaire, more than Diderot, responsible for the French Revolution? I am inclined to hold that he was, and if so, according to the revolutionary instincts of all enemies of oppression, we are bound to regard his influence as "good"; unless by chance we are among those who consider the tyranny of the middle-class no less outrageous than the tyranny of the aristocracy. But Rousseau's influence--so far stretching is the power of personal genius--does not stop with the French Revolution. It does not stop with the Commune or with any other outburst of popular indignation. It works subterraneanly in a thousand devious ways until the present hour. Wherever, under the impassioned enthusiasm
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