Devilish little fingers they were, Sanya's. Her technique was not
perhaps all that it might have been; she might not have won the Gold
Medal of our white-shirted academies, but she had enough temperament to
make half a dozen Steinway Hall virtuosi. From valse to nocturne, from
sonata to prelude, her fancy ran. With crashing chords she dropped from
"L'Automne Bacchanale" to the Nocturne in E flat; scarcely murmured of
that, then tripped elvishly into Moszkowsky's Waltz, and from that she
dropped to a song of Tchaikowsky, almost heartbreaking in its childish
beauty, and then to the austere music of the second act of "Tristan."
Mazurka, polonaise, and nocturne wailed in the stuffy chamber; her
little hands lit up the enchanted gloom of the place with bright
thrills.
But suddenly there came a whisper of soft feet on the landing, and a
secret tap at the door. Some one opened it, and slipped out. One heard
the lazy hum of voices in busy conversation. Then silence; and some one
entered the room and shut the door. One of the boys asked casually,
"What's up?" His question was not answered, but the girl who had gone to
the door snapped something in a sharp tone which might have been either
Russian or Yiddish. The other girls sat up and spat angry phrases about.
I called to one of the boys--"What's the joke? Anything wrong?" and
received reply--
"Owshdiknow? Ain't a ruddy Russian, am I?"
The girl at the door spoke in a hoarse whisper: "'Ere--you better
go--you first?"
"Whaffor?" asked the boys.
"'Cos I say so."
"No, but----"
Again there came a stealthy tap at the door, again the whispering of
slippered feet. More words were exchanged. Then Sanya grabbed the boys
by arms, and they and the girls disappeared.
I was alone.
I got up, and moved to the door. I heard nothing. I stood by the window,
my thoughts dancing a ragtime. I wondered what to do, and how, and
whether. I wondered what was up exactly. I wondered ... well, I just
wondered. My thoughts got into a tangle, sank, and swam, and sank again.
Then there was a sudden struggle and spurt from the lamp, and it went
black out. From a room across the landing a clock ticked menacingly. I
saw, by the thin light from the window, the smoke of a discarded
cigarette curling up and up to the ceiling like a snake.
I went again to the door, peered down the steep stair and over the crazy
balustrade. Nobody was about; no voices. I slipped swiftly down the five
flights,
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