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-1865) was more of a musician than Balfe, but his best-known work, 'Maritana,' is but little superior to 'The Bohemian Girl.' Maritana, a street singer, has attracted the attention of the King of Spain. Don Jose, one of the courtiers, determines to help the King in his amour, in order that he may afterwards use his infidelity as a means of advancing himself in the favour of the Queen. There is a law against duelling in the streets of Madrid, and a certain spendthrift nobleman, Don Caesar de Bazan, has rendered himself liable to death for protecting a poor boy named Lazarillo from arrest. Don Jose promises the condemned man that he shall be shot instead of hanged, if he will consent to marry a veiled lady an hour before the execution, intending thus to give Maritana a position at court as the widow of a nobleman. Don Caesar consents to the arrangement, but Lazarillo takes the bullets out of the soldiers' rifles, so that the execution does not end fatally, and Maritana is not a widow after all. Don Caesar finds his way to a villa in the outskirts of Madrid, where he not only has the satisfaction of putting a stop to the King's attentions to Maritana, but performs the same kind office for the Queen, who is being persecuted by Don Jose. For the latter performance he receives a free pardon, and is made Governor of Valentia. 'Lurline,' an opera constructed upon the Rhenish legend of the Loreley, has perhaps more musical merit than 'Maritana,' but the libretto is more than usually indefinite. Wallace rivalled Balfe in the facility and shallowness of his melody. Yet with all their weaknesses, his operas contain many tunes which have wound themselves into popular affection, and in the eyes of Bank-Holiday audiences, 'Maritana' stands second only to 'The Bohemian Girl.' Sir Julius Benedict (1804-1885), though German by birth, may conveniently be classed as an Englishman. Trained in the school of Weber, he was a musician of a very different calibre from Balfe and Wallace. His earlier works, 'The Gipsy's Warning' and 'The Brides of Venice,' are now forgotten, but 'The Lily of Killarney,' which was produced in 1862, is still deservedly popular. It is founded upon Boucicault's famous drama, 'The Colleen Bawn.' Hardress Cregan, a young Irish landowner, has married Eily O'Connor, a beautiful peasant girl of Killarney. The marriage has been kept secret, and Hardress, finding that an opportunity has arisen of repairing the fallen fo
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