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day might come when it would do so no more. It was a thought that went as quickly as it came, its only importance being that it never caused her a shudder. If it sometimes brought matter for reflection, it was in showing her to herself in a light in which, she was tolerably sure, she never appeared to anybody else--as the true child of the line of frugal forebears, of sea-scouring men and cheese-paring women, who, during nearly two hundred years of thrift, had put penny to penny to save the Guion competence. Standing in the cheerful "Colonial" hall which their stinting of themselves had made it possible to build, and which was still furnished chiefly with the objects--a settle, a pair of cupboards, a Copley portrait, a few chairs, some old decorative pottery--they had lived with, it afforded one more steadying element for her bewilderment to grasp at, to feel herself their daughter. There was, indeed, in the very type of her beauty a hint of a carefully calculated, unwasteful adaptation of means to ends quite in the spirit of their sparing ways. It was a beauty achieved by nature apparently with the surest, and yet with the slightest, expenditure of energy--a beauty of poise, of line, of delicacy, of reserve--with nothing of the superfluous, and little even of color, beyond a gleam of chrysoprase in fine, gray eyes and a coppery, metallic luster in hair that otherwise would have passed as chestnut brown. It was a beauty that came as much from repose in inaction as from grace in movement, but of which a noticeable trait was that it required no more to produce it in the way of effort than in that of artifice. Through the transparent whiteness of the skin the blue of each clearly articulated vein and the rose of each hurrying flush counted for its utmost in the general economy of values. It was in keeping with this restraint that in all her ways, her manners, her dress, her speech, her pride, there should be a meticulous simplicity. It was not the simplicity of the hedge-row any more than of the hothouse; it was rather that of some classic flower, lavender or crown-imperial, growing from an ancient stock in some dignified, long-tended garden. It was thus a simplicity closely allied to sturdiness--the inner sturdiness not inconsistent with an outward semblance of fragility--the tenacity of strength by which the lavender scents the summer and the crown-imperial adorns the spring, after the severest snows. It was dou
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