r him.
Such mastery infers a passion for tidiness which was not in the boyish
Saki's equipment. He leaves loose ends everywhere. Nor in his
dialogue, delightful as it often is, funny as it nearly always is, is
he the supreme master; too much does it become monologue judiciously
fed, one character giving and the other taking. But in comment, in
reference, in description, in every development of his story, he has a
choice of words, a "way of putting things" which is as inevitably his
own vintage as, once tasted, it becomes the private vintage of the
connoisseur.
Let us take a sample or two of "Saki, 1911."
"The earlier stages of the dinner had worn off. The wine lists had
been consulted, by some with the blank embarrassment of a schoolboy
suddenly called upon to locate a Minor Prophet in the tangled
hinterland of the Old Testament, by others with the severe scrutiny
which suggests that they have visited most of the higher-priced wines
in their own homes and probed their family weaknesses."
"Locate" is the pleasant word here. Still more satisfying, in the
story of the man who was tattooed "from collar-bone to waist-line with
a glowing representation of the Fall of Icarus," is the word
"privilege":
"The design when finally developed was a slight disappointment to
Monsieur Deplis, who had suspected Icarus of being a fortress taken by
Wallenstein in the Thirty Years' War, but he was more than satisfied
with the execution of the work, which was acclaimed by all who had the
privilege of seeing it as Pincini's masterpiece."
This story, THE BACKGROUND, and MRS PACKLETIDE'S TIGER seem to me to be
the masterpieces of this book. In both of them Clovis exercises,
needlessly, his titular right of entry, but he can be removed without
damage, leaving Saki at his best and most characteristic, save that he
shows here, in addition to his own shining qualities, a compactness and
a finish which he did not always achieve. With these I introduce you
to him, confident that ten minutes of his conversation, more surely
than any words of mine, will have given him the freedom of your house.
A. A. MILNE.
CONTENTS
ESME
THE MATCH-MAKER
TOBERMORY
MRS. PACKLETIDE'S TIGER
THE STAMPEDING OF LADY BASTABLE
THE BACKGROUND
HERMANN THE IRASCIBLE--A STORY OF THE GREAT WEEP
THE UNREST-CURE
THE JESTING OF ARLINGTON STRINGHAM
SREDNI VASHTAR
ADRIAN
THE CHAPLET
THE QUEST
WRATISLAV
THE EASTER
|