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The Project Gutenberg EBook of Alcestis, by Euripides This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Alcestis Author: Euripides Release Date: December 23, 2003 [EBook #10523] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ALCESTIS *** Produced by Ted Garvin, Charles M. Bidwell and the Online Distributed Proofreading Team. THE ALCESTIS OF EURIPIDES TRANSLATED INTO ENGLISH RHYMING VERSE WITH EXPLANATORY NOTES BY GILBERT MURRAY, LL D, D LITT, FBA REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORD 1915 INTRODUCTION The _Alcestis_ would hardly confirm its author's right to be acclaimed "the most tragic of the poets." It is doubtful whether one can call it a tragedy at all. Yet it remains one of the most characteristic and delightful of Euripidean dramas, as well as, by modern standards, the most easily actable. And I notice that many judges who display nothing but a fierce satisfaction in sending other plays of that author to the block or the treadmill, show a certain human weakness in sentencing the gentle daughter of Pelias. The play has been interpreted in many different ways. There is the old unsophisticated view, well set forth in Paley's preface of 1872. He regards the _Alcestis_ simply as a triumph of pathos, especially of "that peculiar sort of pathos which comes most home to us, with our views and partialities for domestic life.... As for the characters, that of Alcestis must be acknowledged to be pre-eminently beautiful. One could almost imagine that Euripides had not yet conceived that bad opinion of the sex which so many of the subsequent dramas exhibit.... But the rest are hardly well-drawn, or, at least, pleasingly portrayed." "The poet might perhaps, had he pleased, have exhibited Admetus in a more amiable point of view." This criticism is not very trenchant, but its weakness is due, I think, more to timidity of statement than to lack of perception. Paley does see that a character may be "well-drawn" without necessarily being "pleasing"; and even that he may be eminently pleasing as a part of the play while very displeasing in himself. He sees that Euripides may have had his own rea
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