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ready to undo his own work when it became an obstacle to his ambitious designs. In May 1801 the Infanta of Spain, Maria Louisa, third daughter of Charles IV., visited Paris. The Infante Louis de Bourbon, eldest son of the Duke of Parma, had gone to Madrid in 1798 to contract a marriage with Maria Amelia, the sister of Maria Louisa; but he fell in love with the latter. Godoy favoured the attachment, and employed all his influence to bring about the marriage. The son who, six years later, was born of this union, was named Charles Louis, after the King of Spain. France occupied the Duchy of Parma, which, in fulfilment of the conventions signed by Lucien Bonaparte, was to belong to her after the death of the reigning Duke. On the other hand, France was to cede the Grand Duchy of Tuscany to the son of the Duke of Parma; and Spain paid to France, according to stipulation, a considerable sum of money. Soon after the treaty was communicated to Don Louis and his wife they left Madrid and travelled through France. The prince took the title of Count of Leghorn. All accounts are unanimous as to the attentions which the Prince and Princess received on their journey. Among the fetes in honour of the illustrious couple that given by M. de Talleyrand at Neuilly was remarkable for magnificence. When the Count of Leghorn was coming to pay his first visit to Malmaison Bonaparte went into the drawing-room to see that everything was suitably prepared for his reception. In a few minutes he returned to his cabinet and said to me, somewhat out of humour, "Bourrienne, only think of their stupidity; they had not taken down the picture representing me on the summit of the Alps pointing to Lombardy and commanding the conquest of it. I have ordered its removal How mortifying it would have been if the Prince had seen it!" Another picture in the drawing-room at Malmaison represented the First Consul sleeping on the snow on the summit of the Alps before the battle of Marengo. The Count of Leghorn's visit to Paris imparted brilliancy to the first years of the reign of Bonaparte, of whom it was at that time said, "He made kings, but would not be one!" At the representation of AEdipus, the following expression of Philactetes was received with transport:-- "J'ai fait des Souverains, et n'ai pas voulu l'etre." ["Monarchs I've made, but one I would not be."] The First Consul, on leaving the theatre, did not conceal his satisfact
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