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a sweet song of her own composition, written in the soft dialect of Provence, the Languedoc, full of the sweet sadness of a tender, impassioned love. Her voice, tremulous in its power, flowed in a thousand harmonies on the enraptured ears of her listeners. Even the veteran card-players left a game of whist unfinished, to cluster round the angelic singer. Pierre Philibert sat like one in a trance. He loved music, and understood it passing well. He had heard all the rare voices which Paris prided itself in the possession of, but he thought he had never known what music was till now. His heart throbbed in sympathy with every inflection of the voice of Amelie, which went through him like a sweet spell of enchantment. It was the voice of a disembodied spirit singing in the language of earth, which changed at last into a benediction and good-night for the parting guests, who, at an earlier hour than usual, out of consideration for the fatigue of their hosts, took their leave of the Manor House and its hospitable inmates. The family, as families will do upon the departure of their guests, drew up in a narrower circle round the fire, that blessed circle of freedom and confidence which belongs only to happy households. The novelty of the situation kept up the interest of the day, and they sat and conversed until a late hour. The Lady de Tilly reclined comfortably in her fauteuil looking with good-natured complacency upon the little group beside her. Amelie, sitting on a stool, reclined her head against the bosom of her aunt, whose arm embraced her closely and lovingly as she listened with absorbing interest to an animated conversation between her aunt and Pierre Philibert. The Lady de Tilly drew Pierre out to talk of his travels, his studies, and his military career, of which he spoke frankly and modestly. His high principles won her admiration; the chivalry and loyalty of his character, mingled with the humanity of the true soldier, touched a chord in her own heart, stirring within her the sympathies of a nature akin to his. The presence of Pierre Philibert, so unforeseen at the old Manor House, seemed to Amelie the work of Providence for a good and great end--the reformation of her brother. If she dared to think of herself in connection with him it was with fear and trembling, as a saint on earth receives a beatific vision that may only be realized in Heaven. Amelie, with peculiar tact, sought to entangle Le Gar
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