ble. The
first was his hair, which glittered like sunlight; the second was his
fondness for all musical sounds. When he was four years old he had made
himself a flute out of a reed, and on this he played all day, imitating
the song of the birds. He was in his sixth year when an event happened
which changed his life. He was sitting in front of the woodcutter's
cottage one day, when a bright cavalcade passed him. It was a nobleman
from a neighbouring castle, who was travelling to the city with his
retainers. Among these was a Kapellmeister, who organised the music of
this nobleman's household. The moment he caught sight of Franz and heard
his piping, he stopped, and asked who he was.
"The woodcutter's wife told him the story of the finding of the waif,
to which both the nobleman and himself listened with great interest. The
Kapellmeister said that they should take the child with them; that he
should be attached to the nobleman's house and trained as a member of
his choir or his string band, according to his capacities. The nobleman,
who was passionately fond of music, and extremely particular with regard
to the manner of its performance, was delighted with the idea. The offer
was made to the woodcutter and his wife, and although she cried a
good deal they were both forced to recognise that they had no right to
interfere with the child's good fortune. Moreover, the gift of a purse
full of gold (which the nobleman gave them) did not make the matter more
distasteful.
"Finally it was settled that the child should go with the nobleman then
and there; and Franz took leave of his adopted parents, not without many
and bitter tears being shed on both sides.
"Franz travelled with the nobleman to a large city, and he became a
member--the youngest--of the nobleman's household. He was taught his
letters, which he learnt with ease, and the rudiments of music, which he
absorbed with such astounding rapidity, that the Kapellmeister said that
it seemed as if he already knew everything that was taught him. When he
was seven years old, he could not only play several instruments, but he
composed fugues and sonatas. When the nobleman invited the magnates of
the place to listen to his musicians, Franz, the prodigy, was the centre
of interest, and very soon he became the talk of the town. At the age of
ten he was an accomplished organ player, and he played with skill on the
flute and the clavichord.
"He grew up a tall and handsome lad,
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