perfect, but the imperfect, who have need of love.
It is when we are wounded by our own hands, or by the hands of others,
that love should come to cure us--else what use is love at all? All
sins, except a sin against itself, Love should forgive. All lives, save
loveless lives, true Love should pardon. A man's love is like that. It
is wider, larger, more human than a woman's. Women think that they are
making ideals of men. What they are making of us are false idols merely.
You made your false idol of me, and I had not the courage to come down,
show you my wounds, tell you my weaknesses. I was afraid that I might
lose your love, as I have lost it now. And so, last night you ruined my
life for me--yes, ruined it! What this woman asked of me was nothing
compared to what she offered to me. She offered security, peace,
stability. The sin of my youth, that I had thought was buried, rose up
in front of me, hideous, horrible, with its hands at my throat. I could
have killed it for ever, sent it back into its tomb, destroyed its
record, burned the one witness against me. You prevented me. No one but
you, you know it. And now what is there before me but public disgrace,
ruin, terrible shame, the mockery of the world, a lonely dishonoured
life, a lonely dishonoured death, it may be, some day? Let women make no
more ideals of men! let them not put them on alters and bow before them,
or they may ruin other lives as completely as you--you whom I have so
wildly loved--have ruined mine!--_An Ideal Husband_.
FROM A REJECTED PRIZE-ESSAY
Nations may not have missions but they certainly have functions. And the
function of ancient Italy was not merely to give us what is statical in
our institutions and rational in our law, but to blend into one elemental
creed the spiritual aspirations of Aryan and of Semite. Italy was not a
pioneer in intellectual progress, nor a motive power in the evolution of
thought. The owl of the goddess of Wisdom traversed over the whole land
and found nowhere a resting-place. The dove, which is the bird of
Christ, flew straight to the city of Rome and the new reign began. It
was the fashion of early Italian painters to represent in mediaeval
costume the soldiers who watched over the tomb of Christ, and this, which
was the result of the frank anachronism of all true art, may serve to us
as an allegory. For it was in vain that the Middle Ages strove to guard
the buried spirit of progre
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