tten very
largely of that purpose, confessed that verily in comparison of him he had
no skill at all. And not only in that, but in the other mathematical
sciences, as geometry, astronomy, music, &c. For in waiting on the
concoction and attending the digestion of his food, they made a thousand
pretty instruments and geometrical figures, and did in some measure
practise the astronomical canons.

After this they recreated themselves with singing musically, in four or
five parts, or upon a set theme or ground at random, as it best pleased
them. In matter of musical instruments, he learned to play upon the lute,
the virginals, the harp, the Almain flute with nine holes, the viol, and
the sackbut. This hour thus spent, and digestion finished, he did purge
his body of natural excrements, then betook himself to his principal study
for three hours together, or more, as well to repeat his matutinal lectures
as to proceed in the book wherein he was, as also to write handsomely, to
draw and form the antique and Roman letters. This being done, they went
out of their house, and with them a young gentleman of Touraine, named the
Esquire Gymnast, who taught him the art of riding. Changing then his
clothes, he rode a Naples courser, a Dutch roussin, a Spanish jennet, a
barded or trapped steed, then a light fleet horse, unto whom he gave a
hundred carieres, made him go the high saults, bounding in the air, free
the ditch with a skip, leap over a stile or pale, turn short in a ring both
to the right and left hand. There he broke not his lance; for it is the
greatest foolery in the world to say, I have broken ten lances at tilts or
in fight. A carpenter can do even as much. But it is a glorious and
praise-worthy action with one lance to break and overthrow ten enemies.
Therefore, with a sharp, stiff, strong, and well-steeled lance would he
usually force up a door, pierce a harness, beat down a tree, carry away the
ring, lift up a cuirassier saddle, with the mail-coat and gauntlet. All
this he did in complete arms from head to foot. As for the prancing
flourishes and smacking popisms for the better cherishing of the horse,
commonly used in riding, none did them better than he. The cavallerize of
Ferrara was but as an ape compared to him. He was singularly skilful in
leaping nimbly from one horse to another without putting foot to ground,
and these horses were called desultories. He could likewise from either
side, with a lance