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hen he was gone, Fausch went back to his workshop. Maria's child, poor wee man, lay in the maid's room. But Maria died two days after the doctor's visit. She died late in the afternoon. All was silent on the road, in the workshop below, and in the upper room, where a few people from Waltheim went in and out, the minister, the doctor, a distant relative of Maria's and the midwife, who had been taking care of the dying woman. The evening slowly changed to night. The silence in the smithy and all around it grew still deeper. Only Katharine still moved about in her soft old shoes that made almost no sound. Stephen Fausch rose from the table, where he had been eating something late at night. He had left the room dark, and it was as bare and gloomy as a cellar. With a few steps he crossed the room, and opened the door of the bedroom where Maria lay dead. There was a great contrast between this room and the dark living room from which he came. The moonlight streamed in through the bedroom windows. The maid had put up freshly washed and starched white curtains which gave a peculiar light. The cheap lace looked like marble openwork artistically carved with a fine chisel. The moonlight lay clear and dazzling, directly across the head of Maria's bed, which had been moved out to the middle of the room. The faded blue-figured pillow case, and the feather puff of the same color shimmered white, overlaid with a faint, shadowy tracery, as if made expressly to throw into relief the noble beauty of Maria's head. As Stephen Fausch entered, he cast a timid glance at his dead wife: It was wonderful to see her lying on the bed as if a halo shone around her. He closed the door quietly behind him, folded his arms, and looked once more at the bed. Then he stepped to the bedside, and stroked one of the dead woman's eyelids that had not quite closed yet, looked at her thoughtfully once more, then lifted her arms, which were bare almost to the shoulders and had been hidden under the bedclothes, and laid them full length on the coverlet. Thus he made Maria appear as if sleeping in endless peace, but he also arranged her beautiful form so that its loveliness was seen more fully than before. And when he had done all this, he stood once more with folded arms by the bed and said aloud, quite calmly: "Yes, you were beautiful, you!" The moonlight streamed over the bed and over the dead woman, over her pure, white brow, her cheeks, her delicate n
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