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er all this turmoil of his literary life, neither his masked lady nor the flaws in his indictments availed him. Government brought a writ of error, severely prosecuted him; and, abandoned, as usual, by those for whom he had annihilated a genius which deserved a better fate, his perturbed spirit broke out into a fever, and he died raving against cruel persecutors, and patrons not much more humane. So much for some of those who have been "Authors by Profession" in one of the twofold capacities which Guthrie designed, that of writing for a minister; the other, that of writing for the bookseller, though far more honourable, is sufficiently calamitous. In commercial times, the hope of profit is always a stimulating, but a degrading motive; it dims the clearest intellect, it stills the proudest feelings. Habit and prejudice will soon reconcile even genius to the work of money, and to avow the motive without a blush. "An author by profession," at once ingenious and ingenuous, declared that, "till fame appears to be worth more than money, he would always prefer money to fame." JOHNSON had a notion that there existed no motive for writing but money! Yet, crowned heads have sighed with the ambition of authorship, though this great master of the human mind could suppose that on this subject men were not actuated either by the love of glory or of pleasure! FIELDING, an author of great genius and of "the profession," in one of his "Covent-garden Journals" asserts, that "An author, in a country where there is no public provision for men of genius, is not obliged to be a more disinterested patriot than any other. Why is he whose _livelihood is in his pen_ a greater monster in using it to serve himself, than he who uses his tongue for the same purpose?" But it is a very important question to ask, is this "livelihood in the pen" really such? Authors drudging on in obscurity, and enduring miseries which can never close but with their life--shall this be worth even the humble designation of a "livelihood?" I am not now combating with them whether their taskwork degrades them, but whether they are receiving an equivalent for the violation of their genius, for the weight of the fetters they are wearing, and for the entailed miseries which form an author's sole legacies to his widow and his children. Far from me is the wish to degrade literature by the inquiry; but it will be useful to many a youth of promising talent, who is impatien
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