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their neighbors, the Dene, in this same manner, representing them by masks with very large noses and sullen features. [11] These are the northern names. In the southern or Yukon dialect black is Tunguli; white Katughuli; red, Kauiguli; green, Tcununguli. The endings and pronunciation of similar Eskimo words are somewhat different in Arctic Alaska and on the Yukon River; sufficiently so as to produce two distinct dialects. For this reason I have given the forms from both sections. [12] Red is obtained from red ochre; white from white clay; black from soot or ashes; green from oxide of copper. THE DANCE FESTIVALS The Dance Festivals of the Alaskan Eskimo are held during that cold, stormy period of the winter when the work of the year is over and hunting is temporarily at an end. At this season the people gather in the kasgi to celebrate the local rites, and at certain intervals invite neighboring tribes to join in the great inter-tribal festivals. This season of mirth and song is termed "Tcauyavik" the drum dance season, from "Tcauyak" meaning drum. It lasts from November to March, and is a continuous succession of feasts and dances, which makes glad the heart of the Eskimo and serves to lighten the natural depression caused by day after day of interminable wind and darkness. A brisk exchange of presents at the local festivals promotes good feeling, and an interchange of commodities between the tribes at the great feasts stimulates trade and results in each being supplied with the necessities of life. For instance, northern tribes visiting the south bring presents of reindeer skins or mukluk to eke out the scanty supply of the south, while the latter in return give their visitors loads of dried salmon which the northerners feed to their dogs. The festivals also serve to keep alive the religious feeling of the people, as evidenced in the Dance to the Dead, which allows free play to the nobler sentiments of filial faith and paternal love. The recital of the deeds of ancient heroes preserves the best traditions of the race and inspires the younger generation. To my mind, there is nothing which civilization can supply which can take the place of the healthy exercise, social enjoyment, commercial advantages, and spiritual uplift of these dances. Where missionary sentiment is overwhelming they are gradually being abandoned; where there is a mistaken opinion in regard to their use, they have
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