him 'brother.' Discouraged at times--for he was very
human--he kept on giving the best that was in him, doing the work
appointed for him in this world--and doing it with a whole heart
Godwards and Christwards, despite his poverty, despite the broken
promises of the great to reward him pecuniarily, despite the world,
despite _facts_, Szchenetzy! He sang when he was young of earthly love
and in middle age of heavenly love, and his songs are cherished, for
their beauty of wisdom and love, in the hearts of men to this day."
He smiled genially across the sea of faces to Szchenetzy.
"Come up some night with your violin, Szchenetzy, and we will try over
some of those very songs that the Germans have set to music of their
own, those words of Walter of the Bird-Meadow--so they called him then,
and men keep on calling him that even to this day."
He turned again to the screen.
"What is to be thrown on the screen now--in rapid succession for our
hour is brief--I call our Marble Quarry. Just think of it! quarried by
the same hard work which you all know, by which you earn your daily
bread; sculptured into forms of exceeding beauty by the same hard toil
of other hands. And behind all the toil there is the _soul of art_, ever
seeking expression through the human instrument of the practised hand
that quarries, then sculptures, then places, and builds! I shall give a
word or two of explanation in regard to time and locality; next month we
will take the subjects one by one."
There flashed upon the screen and in quick succession, although the men
protested and begged for an extension of exposures, the noble Pisan
group and Niccola Pisano's pulpit in the baptistery--the horses from the
Parthenon frieze--the Zeus group from the great altar at
Pergamos--Theseus and the Centaur--the Wrestlers--the Discus Thrower
and, last, the exquisite little church of Saint Mary of the Thorn,--the
Arno's jewel, the seafarers' own,--that looks out over the Pisan waters
to the Mediterranean.
It was a magnificent showing. No words from Father Honore were needed to
bring home to his audience the lesson of the Marble Quarry.
"I call the next series, which will be shown without explanation and
merely named, other members of the Brotherhood of Stone. We study them
separately later on in the summer."
The cathedrals of York, Amiens, Westminster, Cologne, Mayence, St.
Mark's--a noble array of man's handiwork, were thrown upon the screen.
The men sho
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