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him 'brother.' Discouraged at times--for he was very human--he kept on giving the best that was in him, doing the work appointed for him in this world--and doing it with a whole heart Godwards and Christwards, despite his poverty, despite the broken promises of the great to reward him pecuniarily, despite the world, despite _facts_, Szchenetzy! He sang when he was young of earthly love and in middle age of heavenly love, and his songs are cherished, for their beauty of wisdom and love, in the hearts of men to this day." He smiled genially across the sea of faces to Szchenetzy. "Come up some night with your violin, Szchenetzy, and we will try over some of those very songs that the Germans have set to music of their own, those words of Walter of the Bird-Meadow--so they called him then, and men keep on calling him that even to this day." He turned again to the screen. "What is to be thrown on the screen now--in rapid succession for our hour is brief--I call our Marble Quarry. Just think of it! quarried by the same hard work which you all know, by which you earn your daily bread; sculptured into forms of exceeding beauty by the same hard toil of other hands. And behind all the toil there is the _soul of art_, ever seeking expression through the human instrument of the practised hand that quarries, then sculptures, then places, and builds! I shall give a word or two of explanation in regard to time and locality; next month we will take the subjects one by one." There flashed upon the screen and in quick succession, although the men protested and begged for an extension of exposures, the noble Pisan group and Niccola Pisano's pulpit in the baptistery--the horses from the Parthenon frieze--the Zeus group from the great altar at Pergamos--Theseus and the Centaur--the Wrestlers--the Discus Thrower and, last, the exquisite little church of Saint Mary of the Thorn,--the Arno's jewel, the seafarers' own,--that looks out over the Pisan waters to the Mediterranean. It was a magnificent showing. No words from Father Honore were needed to bring home to his audience the lesson of the Marble Quarry. "I call the next series, which will be shown without explanation and merely named, other members of the Brotherhood of Stone. We study them separately later on in the summer." The cathedrals of York, Amiens, Westminster, Cologne, Mayence, St. Mark's--a noble array of man's handiwork, were thrown upon the screen. The men sho
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