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heard a half-suppressed cry from the lips of her friend. "Now, don't you see that I was right?" she cried. "It is beautiful enough to shriek over. No respectable person can see such a thing without uttering a few inarticulate sounds. But, for Heaven's sake!" she cried, interrupting herself and rushing to Julie, whom she saw turn suddenly pale and step backward, "what is the matter with you, my own love? You are so very--speak--what has so--gracious Heaven! That! I never would have believed it myself! Such a surprise--such an unheard-of piece of treachery and meanness! And, with all that, so extraordinarily well carried out! Oh, this Jansen! So that accounts for the pins--that accounts for his not wishing to show the group to any one for the last fortnight!" Julie had retreated to the window and stood there, undecided what to do, her head sunk upon her heaving breast. But the painter, in whom enthusiasm had banished all alarm about her agitated friend, stood with folded hands, as if absorbed in worship, before the work that was so well known to her, and upon which, nevertheless, she gazed in utter surprise. For since she saw it last the head of Eve, that was then in the first rough stage of development, had assumed a firm, carefully-executed form, and the face, sweetly bowed forward, with which she gazed at the man just awakening from sleep, resembled, feature for feature, the beautiful girl who now, sinking down into her chair in an indescribable state of confusion, shame, and anger, looked up at her own image. And then it would have been most edifying for a third person to have overheard how the painter, as soon as she had overcome the first shock, now strove to enter into the spirit of her friend and storm over the robbery of her beauty; now strove to make it clear to her that there was nothing wrong or improper in the whole matter. Then, when she had run on for a while in the most enraptured terms about this magnificent work, the majesty and the charm of these forms, she suddenly became woman enough again to find the undeniable resemblance of the features of this beautiful Eve, in her paradisaical innocence, a very serious thing after all. To be sure, she strove to defend the artist; no one could help his inspirations, and the more than life-size scale removed the work from all realistic consideration. But her burning cheeks told her better than anything else that she was not made to be a good devil's-advocate;
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