ies," corrected Marsh, dreamily.

There was, thought Neale listening critically to their intonations, a
voluptuous, perverse pleasure in despair which he found very
distasteful. Despair was a real and honest and deadly emotion. Folks
with appetites sated by having everything they wanted, oughtn't to use
despair as a sort of condiment to perk up their jaded zest in life.
"Confounded play-actors!" he thought, and wondered what Marise's
reaction to them was.

He foresaw that it was going to be too much for his patience to listen
to them. He would get too hot under the collar and be snappish,
afterwards. Luckily he was in the library. There were better voices to
listen to. He got up, ran his forefinger along a shelf, and took down a
volume of Trevelyan, "Garbaldi and the Thousand." The well-worn volume
opened of itself at a familiar passage, the description of the battle of
Calatafimi. His eye lighted in anticipation. There was a man's book, he
thought. But his pipe was out. He laid the book down to light it before
he began to read. In spite of himself he listened to hear what they were
saying now in the next room. Eugenia was talking and he didn't like what
she was saying about those recurrent dreams of Marise's, because he knew
it was making poor Marise squirm. She had such a queer, Elly-like
shyness about that notion of hers, Marise had. It evidently meant more
to her than she had ever been able to make him understand. He couldn't
see why she cared so much about it, hated to have it talked about
casually. But he wasn't Eugenia. If Marise didn't want it talked about
casually, by George he wasn't the one who would mention it. They'd
hardly ever spoken of them, those dreams, even to each other. People had
a right to moral privacy, if they wanted it, he supposed, even married
women. There was nothing so ruthless anyhow as an old childhood friend,
to whom you had made foolish youthful confidences and who brought them
out any time he felt like it.

"You ought to have those dreams of yours psycho-analyzed, Marisette,"
Eugenia was saying. To Marsh she went on in explanation, "Mrs.
Crittenden has always had a queer kind of dream. I remember her telling
me about them, years ago, when we were girls together, and nobody
guessed there was anything in dreams. She dreams she is in some
tremendous rapid motion, a leaf on a great river-current, or a bird
blown by a great wind, or foam driven along by storm-waves, isn't that
it, Mariso