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The Project Gutenberg EBook of Blackwood's Edinburgh Magazine, Vol. 53, No. 331, May, 1843, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Blackwood's Edinburgh Magazine, Vol. 53, No. 331, May, 1843 Author: Various Release Date: May 4, 2004 [EBook #12263] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BLACKWOOD'S MAGAZINE, NO. 331 *** Produced by Brendan O'Connor and PG Distributed Proofreaders. Produced from page scans provided by The Internet Library of Early Journals. BLACKWOOD'S EDINBURGH MAGAZINE NO. CCCXXXI. MAY, 1843. VOL. LIII. CONTENTS. DUMAS IN ITALY AMMALAT BEK. A TRUE TALE OF THE CAUCASUS FROM THE RUSSIAN OF MARLINSKI.--CHAPTER VI. REYNOLD'S DISCOURSES. CONCLUSION LEAP-YEAR. A TALE THE BATTLE OF THE BLOCKS. THE PAVING QUESTION POEMS AND BALLADS OF SCHILLER.--No. VIII. NATURAL HISTORY OF SALMON AND SEA-TROUT CALEB STUKELY. PART THE LAST COMMERCIAL POLICY. SPAIN DUMAS IN ITALY. [_Souvenirs de Voyage en Italie, par_ ALEXANDRE DUMAS. 5 vols. duod.] France has lately sent forth her poets in great force, to travel, and to write travels. Delamartine, Victor Hugo, Alexandre Dumas, and others, have been forth in the high-ways and the high-seas, observing, portraying, poetizing, romancing. The last-mentioned of these, M. Dumas, a dramatist very ingenious in the construction of plots, and one who tells a story admirably, has travelled quite in character. There is a dramatic air thrown over all his proceedings, things happen as pat as if they had been rehearsed, and he blends the novelist and tourist together after a very bold and original fashion. It is a new method of writing travels that he has hit upon, and we recommend it to the notice of our countrymen or countrywomen, who start from home with the fixed idea, happen what may, of inditing a book. He does not depend altogether upon the incidents of the road, or the raptures of sight-seeing, or any odd fantasy that buildings or scenery may be kind enough to suggest: he provides himself with full half of his materials before he starts, in the shape of historical anecdote and romantic sto
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