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would go to live in Boston in a great big house, and he'd be a great man, and people would talk about him, and she should see his name in the papers, but he never would come to Coventry any more! And he'd acted as if he did love her, too!--that was men's way,--heartless things! If John had a good time, what did he care if Lizzy did grow into a gray-haired, puckered-up old maid, like Miss Case, with nobody to love her, or take care of her, or ask about her, or--or--kiss her?--The climax was too much for Lizzy; great big tears ran down on the arm of the stuffed chair, and she would have sobbed out loud, only Chloe opened the door, to put up the tea-things, I suppose, and Lizzy wouldn't cry before her. But, for all that, she didn't hear Chloe come to the fireplace; she only felt her sit down in the big chair, and, simultaneously, a pair of strong arms lifted Miss Lizzy on to John Boynton's knee, and held her there. It wasn't Chloe. I declare, one gets out of patience with these men! they do astonish a person so sometimes, one doesn't know what to do or say. Lizzy had been thinking to herself, not two minutes ago, with what cool and smiling reserve she should meet John Boynton, how dignified and kindly distant she would be to him,--and now,--well! it was so sudden,--and then, as I said before, these men do get round one so,--if you happen to love them.--Lizzy forgot, I suppose; at any rate, she wasn't dignified, or reserved, or proper, or anything of the kind, for she just hid her pretty head on his square shoulder, and said, "Oh, John!"--"slowly, and nothing more,"--as Mr. Tennyson remarks about cutting Iphigenia's head off with a sharp knife. I don't know that John talked much, either. I rather think Lizzy got over the climax that had troubled her a little while ago. Presently, she raised her head and gathered up her hair that had fallen down, and became painfully aware that she had on only a blue calico! John never knew it; he knew somebody had a very sweet face, full of cloudy blushes and sunshiny smiles, and, not being a Pre-Raphaelite, the foreground was of no consequence to him. So, after a time, Lizzy slipped down to her cricket again, still leaning on the arm--of the chair,--and John expounded to her the excellent reason that had delayed his coming home. He had been offered a large salary to take the head of a public school in Boston, and those two days had been devoted to arranging the affair; he had satisf
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