king root in the lowliest depths, and
receiving the light and warmth of heaven in its golden heart! All that
the pious have felt, all that poets have said, all that artists have
done, with their manifold forms of beauty, to represent the ministry of
Jesus, are but feeble expressions of the great debt we owe Him who is
even now curing the lame, restoring sight to the blind, and raising the
dead in that spiritual sense wherein all miracle is true."

During her stay in New York, as editor of the _Anti-Slavery Standard_,
she found a pleasant home at the residence of the genial philanthropist,
Isaac T. Hopper, whose remarkable life she afterwards wrote. Her
portrayal of this extraordinary man, so brave, so humorous, so tender and
faithful to his convictions of duty, is one of the most readable pieces
of biography in English literature. Thomas Wentworth Higginson, in a
discriminating paper published in 1869, speaks of her eight years'
sojourn in New York as the most interesting and satisfactory period of
her whole life. "She was placed where her sympathetic nature found
abundant outlet and occupation. Dwelling in a house where
disinterestedness and noble labor were as daily breath, she had great
opportunities. There was no mere alms-giving; but sin and sorrow must
be brought home to the fireside and the heart; the fugitive slave, the
drunkard, the outcast woman, must be the chosen guests of the abode,--
must be taken, and held, and loved into reformation or hope."

It would be a very imperfect representation of Maria Child which regarded
her only from a literary point of view. She was wise in counsel; and men
like Charles Sumner, Henry Wilson, Salmon P. Chase, and Governor Andrew
availed themselves of her foresight and sound judgment of men and
measures. Her pen was busy with correspondence, and whenever a true man
or a good cause needed encouragement, she was prompt to give it. Her
donations for benevolent causes and beneficent reforms were constant and
liberal; and only those who knew her intimately could understand the
cheerful and unintermitted self-denial which alone enabled her to make
them. She did her work as far as possible out of sight, without noise or
pretension. Her time, talents, and money were held not as her own, but a
trust from the Eternal Father for the benefit of His suffering children.
Her plain, cheap dress was glorified by the generous motive for which she
wore it. Whether in the crowded cit