a little common sense. I opened the book,
and my eyes fell on these splendid and satisfying words, "The Dragon's
Grandmother." That at least was reasonable; that at least was true. "The
Dragon's Grandmother!" While I was rolling this first touch of ordinary
human reality upon my tongue, I looked up suddenly and saw this monster
with a green tie standing in the doorway.
.....
I listened to what he said about the society politely enough, I hope;
but when he incidentally mentioned that he did not believe in fairy
tales, I broke out beyond control. "Man," I said, "who are you that you
should not believe in fairy tales? It is much easier to believe in Blue
Beard than to believe in you. A blue beard is a misfortune; but there
are green ties which are sins. It is far easier to believe in a million
fairy tales than to believe in one man who does not like fairy tales. I
would rather kiss Grimm instead of a Bible and swear to all his stories
as if they were thirty-nine articles than say seriously and out of
my heart that there can be such a man as you; that you are not some
temptation of the devil or some delusion from the void. Look at these
plain, homely, practical words. 'The Dragon's Grandmother,' that is all
right; that is rational almost to the verge of rationalism. If there was
a dragon, he had a grandmother. But you--you had no grandmother! If you
had known one, she would have taught you to love fairy tales. You had no
father, you had no mother; no natural causes can explain you. You cannot
be. I believe many things which I have not seen; but of such things
as you it may be said, 'Blessed is he that has seen and yet has
disbelieved.'"
.....
It seemed to me that he did not follow me with sufficient delicacy, so I
moderated my tone. "Can you not see," I said, "that fairy tales in their
essence are quite solid and straightforward; but that this everlasting
fiction about modern life is in its nature essentially incredible?
Folk-lore means that the soul is sane, but that the universe is wild
and full of marvels. Realism means that the world is dull and full of
routine, but that the soul is sick and screaming. The problem of the
fairy tale is--what will a healthy man do with a fantastic world? The
problem of the modern novel is--what will a madman do with a dull world?
In the fairy tales the cosmos goes mad; but the hero does not go mad.
In the modern novels the hero is mad before the book begins, and
suffers from the
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