were the paths along which Fate had led this man. As a rich
bachelor he had welcomed guests to his ever-open house with salvos of
artillery, and hence was still called Cannon Meyer, though, after having
squandered his patrimony, he remained absent from his home for many
years. His career in America was one of perpetual vicissitudes and
full of adventures. Afore than once he barely escaped death. At last,
conquered by homesickness, he returned to the Black Forest, and with a
good, industrious wife.
His house in the monastery suited his longing for rest; he obtained a
position in the morocco factory in the valley below, which afforded him
a support, and his daughters provided for his physical comfort.
The big, broad-shouldered man with the huge mustache and deep, bass
voice looked like some grey-haired knight whose giant arm could have
dealt that Swabian stroke which cleft the foe from skull to saddle,
and yet at that time he was occupied from morning until night in the
delicate work splitting the calf skin from whose thin surfaces, when
divided into two portions, fine morocco is made.
We also met the family of Herr Zahn, in whose factory this leather was
manufactured; and when in the East I saw red, yellow, and green slippers
on the feet of so many Moslems, I could not help thinking of the shady
Black Forest.
Sometimes we drove to the little neighbouring town of Calw, where we
were most kindly received. The mornings were uninterrupted, and my work
was very successful. Afternoon sometimes brought visitors from Wildbad,
among whom was the artist Gallait, who with his wife and two young
daughters had come to use the water of the springs. His paintings,
"Egmont in Prison," "The Beheaded Counts Egmont and Horn," and many
others, had aroused the utmost admiration. Praise and honours of all
kinds had consequently been lavished upon him. This had brought him to
the Spree, and he had often been a welcome guest in our home.
Like Menzel, Cornelius, Alma Tadema, and Meissonier, he was small in
stature, but the features of his well-formed face were anything but
insignificant. His whole person was distinguished by something I might
term "neatness." Without any touch of dudishness he gave the impression
of having "just stepped out of a bandbox." From the white cravat which
he always wore, to the little red ribbon of the order in his buttonhole,
everything about him was faultless.
Madame Gallait, a Parisian by birth, was the
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