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e taken for granted by the family. If you will let me examine them with you it will be delightful!" It was a joy to me to hear her talk in such a way; and her last suggestion quite thrilled me. Together we went round the various rooms and passages, examining and admiring the magnificent curios. There was such a bewildering amount and variety of objects that we could only glance at most of them; but as we went along we arranged that we should take them seriatim, day by day, and examine them more closely. In the hall was a sort of big frame of floriated steel work which Margaret said her father used for lifting the heavy stone lids of the sarcophagi. It was not heavy and could be moved about easily enough. By aid of this we raised the covers in turn and looked at the endless series of hieroglyphic pictures cut in most of them. In spite of her profession of ignorance Margaret knew a good deal about them; her year of life with her father had had unconsciously its daily and hourly lesson. She was a remarkably clever and acute-minded girl, and with a prodigious memory; so that her store of knowledge, gathered unthinkingly bit by bit, had grown to proportions that many a scholar might have envied. And yet it was all so naive and unconscious; so girlish and simple. She was so fresh in her views and ideas, and had so little thought of self, that in her companionship I forgot for the time all the troubles and mysteries which enmeshed the house; and I felt like a boy again.... The most interesting of the sarcophagi were undoubtedly the three in Mr. Trelawny's room. Of these, two were of dark stone, one of porphyry and the other of a sort of ironstone. These were wrought with some hieroglyphs. But the third was strikingly different. It was of some yellow-brown substance of the dominating colour effect of Mexican onyx, which it resembled in many ways, excepting that the natural pattern of its convolutions was less marked. Here and there were patches almost transparent--certainly translucent. The whole chest, cover and all, was wrought with hundreds, perhaps thousands, of minute hieroglyphics, seemingly in an endless series. Back, front, sides, edges, bottom, all had their quota of the dainty pictures, the deep blue of their colouring showing up fresh and sharply edge in the yellow stone. It was very long, nearly nine feet; and perhaps a yard wide. The sides undulated, so that there was no hard line. Even the c
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