ment. Let your own good sense and reason
judge of the value of each; and be persuaded, that NOTHING CAN BE
BEAUTIFUL UNLESS TRUE: whatever brilliancy is not the result of the
solidity and justness of a thought, it is but a false glare. The Italian
saying upon a diamond is equally just with regard to thoughts, 'Quanto
Piu sodezza, tanto piu splendore'.

All this ought not to hinder you from conforming externally to the modes
and tones of the different companies in which you may chance to be. With
the 'petits maitres' speak epigrams; false sentiments, with frivolous
women; and a mixture of all these together, with professed beaux esprits.
I would have you do so; for at your age you ought not to aim at changing
the tone of the company, but conform to it. Examine well, however; weigh
all maturely within yourself; and do not mistake the tinsel of Tasso for
the gold of Virgil.

You will find at Paris good authors, and circles distinguished by the
solidity of their reasoning. You will never hear TRIFLING, AFFECTED, and
far-sought conversations, at Madame de Monconseil's, nor at the hotels of
Matignon and Coigni, where she will introduce you. The President
Montesquieu will not speak to you in the epigrammatic style. His book,
the "Spirit of the Laws," written in the vulgar tongue, will equally
please and instruct you.

Frequent the theatre whenever Corneille, Racine, and Moliere's pieces are
played. They are according to nature and to truth. I do not mean by this
to give an exclusion to several admirable modern plays, particularly
"Cenie,"--[Imitated in English by Mr. Francis, in a play called
"Eugenia."]--replete with sentiments that are true, natural, and
applicable to one's self. If you choose to know the characters of people
now in fashion, read Crebillon the younger, and Marivaux's works. The
former is a most excellent painter; the latter has studied, and knows the
human heart, perhaps too well. Crebillon's 'Egaremens du Coeur et de
l'Esprit is an excellent work in its kind; it will be of infinite
amusement to you, and not totally useless. The Japanese history of
"Tanzar and Neadarne," by the same author, is an amiable extravagancy,
interspersed with the most just reflections. In short, provided you do
not mistake the objects of your attention, you will find matter at Paris
to form a good and true taste.

As I shall let you remain at Paris without any person to direct your
conduct, I flatter myself that you will not ma