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accursed tubs still rattle by on the tramways. The roof throws back their noises, and when all the place is full of a grumbling and a growling, how under earth is one to know whence danger will turn up next? The air brings to the unacclimatised a singing in the ears, a hotness of the eyeballs, and a jumping of the heart. "That's because the pressure here is different from the pressure up above. It'll wear off in a minute. _We_ don't notice it. Wait till you get down a four-hundred-foot pit. _Then_ your ears will begin to sing, if you like." Most people know the One Night of each hot weather--that still, clouded night just before the Rains break, when there seems to be no more breathable air under the bowl of the pitiless skies, and all the weight of the silent, dark house lies on the chest of the sleep-hunter. This is the feeling in a coal-mine--only more so--much more so, for the darkness is the "gross darkness of the inner sepulchre." It is hard to see which is the black coal and which the passage driven through it. From far away, down the side galleries, comes the regular beat of the pick--thick and muffled as the beat of the labouring heart. "Six men to a gang, and they aren't allowed to work alone. They make six-foot drives through the coal--two and sometimes three men working together. The rest clear away the stuff and load it into the tubs. We have no props in this gallery because we have a roof as good as a ceiling. The coal lies under the sandstone here. It's beautiful sandstone." It _was_ beautiful sandstone--as hard as a billiard table and devoid of any nasty little bumps and jags. There was a roaring down one road--the roaring of infernal fires. This is not a pleasant thing to hear in the dark. It is too suggestive. "That's our ventilating shaft. Can't you feel the air getting brisker? Come and look." Imagine a great iron-bound crate of burning coal, hanging over a gulf of darkness faintly showing the brickwork of the base of a chimney. "We're at the bottom of the shaft. That fire makes a draught that sucks up the foul air from the bottom of the pit. There's another down-draw shaft in another part of the mine where the clean air comes in. We aren't going to set the mines on fire. There's an earth and brick floor at the bottom of the pit; the crate hangs over. It isn't so deep as you think." Then a devil--a naked devil--came in with a pitchfork and fed the spouting flames. This was perfectly in keeping
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