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ot help it, she shook. A moment before she had been crying whole-heartedly, associating herself, as a daughter may, in her father's woe. But that was too much. With the tears still in her eyes, she laughed. "Gracious goodness! You don't take me for a fly-by-night?" The noble marquis, who had been standing, sat down. Before him, on the ginger of the wall, hung the portrait of the gorgeous swashbuckler. Behind the latter were portraits, dim, remote, visionary, of other progenitors who probably never existed. But he was convinced that they had, convinced that always, sword in hand, they had upheld the honour of the Casa-Evora. No, surely, his daughter had not forfeited that. No, certainly, he did not suspect her. But there was much that he did not understand. The misery of the mystery of things overcame him. He wept noisily. Cassy, who had been seated, stood up. She had on her rowdy frock. She also had on a hat--if you can call a tam-o'-shanter a hat. Therewith were white gloves which she had got at the basilica and which as yet were free from benzine. Her father had distressed her inhumanly, but she had survived it, as youth survives anything, and she looked then, not tear-stained in the least, but, as usual, very handsome. Bending forward, she touched him. "There, you dear old thing, don't take on so. I have been planning something fat for you. Everything will come out right Just wait and see--and when you're hungry, there's some nice cold veal in the kitchy." But though in the kitchen there was cold veal, which it were perhaps poetic to describe as nice, yet even the poetry of that was exceeded by the poetry of the plan. Cassy had planned nothing lean or fat, nothing whatever. She had spoken as a little mother may, in an effort to console, though perhaps prompted subconsciously by the inscrutable possibilities of life. Anything may happen. Already on the stage of which destiny is the scene-shifter, the fates, in their eternal role of call-boy, were summoning the actors to the drama in which the leading role was hers and on which the curtain was about to rise. Her father, comforted by the imaginary, looked up. She had gone. From the sling he took his arm. The elbow was stiff, though less stiff than it had been. Moreover the wrist moved readily and the fingers were as flexible as before. Consoled by that, comforted already, he shuffled into the kitchen and consumed the cold veal. Now, in the crashing car, Cass
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