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ried out. No cement was to be had which could resist the action of water for an indefinite period and maintain the coherence of brickwork subjected to its unsleeping attacks. In order to obtain piers capable of withstanding the current during the great floods, it was better too to use blocks of considerable weight, which could be held together by metal tenons or clasps. It was but at rare intervals that buildings had to be erected in which the habits of ages had to be thus abandoned. Why is it that such works have perished and left no sign? The question may be easily answered. When the ruins of Babylon began to be used as an open quarry, the stone buildings must have been the first to disappear. This material, precious by its rarity and in greater request than any other, was used again and again until no trace of its original destination or of the buildings in which it was found remained. In Assyria long chains of hills traversed the plain and stretched here and there as far as the borders of the two rivers, besides which the last buttresses of the mountains of Kurdistan came very near the left bank of the Tigris. These hills all contained limestone. Two sorts were found: one fine, hard, close grained, and a little shelly, the other softer and more friable. For the decoration of his monumental doorways and the lining of his richest apartments, the architect chose and committed to the sculptor those fine slabs of gypseous alabaster of which so many examples are to be seen in the Louvre and British Museum. In the plains gypsum serves as a base or foundation for the wide banks of clay that spread over the country, and are much less thick than in the south of Chaldaea. Alabaster is there to be met with in great quantities, often but little below the surface of the soil.[142] It is a sulphate of chalk, gray in colour, soft and yet susceptible of polish. But it has many defects; it breaks easily and deteriorates rapidly on exposure to the air. The Assyrians, however, did not fear to use it in great masses, as witness the bulls in the Louvre and British Museum. Before removal these carved man-headed animals weighed some thirty-five tons, and some of those remaining at Khorsabad and Kouyundjik are still larger. In Assyria as in Chaldaea the dark and hard volcanic rocks have only been found in a few isolated fragments. They were used by the statuary and ornamentist rather than by the architect, and we cannot say for certa
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