f a
handsome dwelling. An inscription in red letters on the outside wall
containing the name of Siricus has occasioned the conjecture that this
was the name of the owner of the house; while a mosaic inscription on
the floor of the prothyrum, having the words SALVE LUCRU, has given
rise to a second appellation for the dwelling.
On the left of the prothyrum is an apartment with two doors, one
opening on a wooden staircase leading to an upper floor, the other
forming the entry to a room next the street, with a window like that
described in the other room next the prothyrum. The walls of this
chamber are white, divided by red and yellow zones into compartments,
in which are depicted the symbols of the principal deities--as the
eagle and globe of Jove, the peacock of Juno, the lance, helmet and
shield of Minerva, the panther of Bacchus, a Sphinx, having near it
the mystical chest and sistrum of Isis, who was the Venus Physica of
the Pompeians, the caduceus and other emblems of Mercury, etc. There
are also two small landscapes.
Next to this is a large and handsome exedra, decorated with good
pictures, a third of the size of life. That on the left represents
Neptune and Apollo presiding at the building of Troy; the former,
armed with his trident, is seated; the latter, crowned with laurel,
is on foot, and leans with his right arm on a lyre. On the wall
opposite to this is a picture of Vulcan presenting the arms of
Achilles to Thetis. The celebrated shield is supported by Vulcan on
the anvil, and displayed to Thetis, who is seated, whilst a winged
female figure standing at her side points out to her with a rod the
marvels of its workmanship. Agreeably to the Homeric description the
shield is encircled with the signs of the zodiac, and in the middle
are the bear, the dragon, etc. On the ground are the breast-plate, the
greaves and the helmet.
[Illustration: HERCULES DRUNK. (_From Pompeii._)]
In the third picture is seen Hercules crowned with ivy, inebriated,
and lying on the ground at the foot of a cypress tree. He is clothed
in a _sandyx_, or short transparent tunic, and has on his feet a sort
of shoes, one of which he has kicked off. He supports himself on his
left arm, while the right is raised in drunken ecstasy. A little Cupid
plucks at his garland of ivy, another tries to drag away his ample
goblet. In the middle of the picture is an altar with festoons. On the
top of it three Cupids, assisted by another who h
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