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battle'; that is how the Welsh poet tells you what he had to sing about. And he tells you, in his definite way, more than that; he tells you: 'I have been where the warriors were slain, from the East to the North, and from the East to the South: I am alive, they are in their graves!' It is human emotion reduced to its elements; that instinct of life and death, of the mystery of all that is tangible in the world, of its personal meaning, to one man after another, age after age, which in every age becomes more difficult to feel simply, more difficult to say simply. 'I am alive, they are in their graves!' and nothing remains to be said in the face of that immense problem. Well, the Welsh poet leaves you with his thought, and that simple emphasis of his seems to us now so large and remote and impressive, just because it was once so passionately felt, and set down as it was felt. And so with his sense for nature, with that which seems like style in him; it is a wonderful way of trusting instinct, of trusting the approaches of natural things. He says, quite simply: 'I was told by a sea-gull that had come a great way,' as a child would tell you now. And when he tells you that 'Cynon rushed forward with the green dawn,' it is not what we call a figure of speech: it is his sensitive, literal way of seeing things. More definite, more concrete, closer to the earth and to instinctive emotion than most other poets, the Welsh poet might have said of himself, in another sense than that in which he said it of Alexander: 'What he desired in his mind he had from the world.' 1898. * * * * * Printed in Great Britain by T. and A. CONSTABLE, Printers to His Majesty at the University Press, Edinburgh End of Project Gutenberg's Figures of Several Centuries, by Arthur Symons *** END OF THIS PROJECT GUTENBERG EBOOK FIGURES OF SEVERAL CENTURIES *** ***** This file should be named 21407.txt or 21407.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/4/0/21407/ Produced by Ted Garvin, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the U
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