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ris of his machine after a "crasher." Where in the old West gunmen used to put a notch on their revolver handle for every man killed, now in each aviator's record is the number of enemy planes which he has brought down. When a Frenchman has ten his name goes into the official bulletin. Everything contributes to urge on the fighting aviator to more and more victims till one day he, too, is a victim. Never were duels so detached or so intense. No clashing of steel, no flecks of blood, only two men with wings. While the soldier feels his weapon go home and the bomber sees his bomb in flight, the aviator watches for his opponent to drop forward in his seat as the first sign that he has lost control of his plane and of victory, and he does not hear the passing of the bullets that answer those from his own machine gun. One hero comes to take the place of another who has been lost. A smiling English youth was embarrassed when asked how he brought down the great Immelmann, most famous of German aviators. Nelson's "Death or Westminster Abbey" has become paraphrased to "Death or the _communique_." At twenty-one, while a general of division is unknown except in the army an aviator's name may be the boast of a nation. In him is expressed the national imagination, the sense of hero-worship which people love to personify. The British aviation corps stuck to anonymity until the giving of a Victoria Cross one day revealed that Lieutenant Ball had brought down his twenty-sixth German plane. Soon after the taking of Fort Douaumont when I was at Verdun, Beauchamp, blond, blue-eyed and gentle of manner, who had thrilled all France by bombing Essen, said, "Now they will expect me to go farther and do something greater;" and I was not surprised to learn a month later that he had been killed. Something in the way he spoke convinced me that he foresaw death and accepted it as a matter of course; and he realized, too, the penalty of being a hero. He had flown over Essen and dropped his bombs and seen them burst, which was all of his story. The public thrill over such exploits is the greater because of their simplicity. An aviator has no experiences on the road; he cannot stop to talk to anyone. There is flight; there is a lever that releases a bomb; there is a machine gun. He may not indulge in psychology, which would be wool-gathering, when every faculty is objectively occupied. He is strangely helpless, a human being borne through space
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