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to me to hold the strings of such a lot of queer little dramas. Have something on the shelf for me when we meet again. THE thing just now is the outlook for Mitchy's affair. One cares enough for old Mitch to fancy one may feel safer for a lead or two. In fact I want regularly to turn you on." "Ah but the thing I happen to have taken it into my head to say to you," Nanda now securely enough replied, "hasn't the least bit to do, I assure you, either with Aggie or with 'old Mitch.' If you don't want to hear it--want some way of getting off--please believe THEY won't help you a bit." It was quite in fact that she felt herself at last to have found the right tone. Nothing less than a conviction of this could have made her after an instant add: "What in the world, Mr. Van, are you afraid of?" Well, that it WAS the right tone a single little minute was sufficient to prove--a minute, I must yet haste to say, big enough in spite of its smallness to contain the longest look on any occasion exchanged between these friends. It was one of those looks--not so frequent, it must be admitted, as the muse of history, dealing at best in short cuts, is often by the conditions of her trade reduced to representing them--which after they have come and gone are felt not only to have changed relations but absolutely to have cleared the air. It certainly helped Vanderbank to find his answer. "I'm only afraid, I think, of your conscience." He had been indeed for the space more helped than she. "My conscience?" "Think it over--quite at your leisure--and some day you'll understand. There's no hurry," he continued--"no hurry. And when you do understand, it needn't make your existence a burden to you to fancy you must tell me." Oh he was so kind--kinder than ever now. "The thing is, you see, that _I_ haven't a conscience. I only want my fun." They had on this a second look, also decidedly comfortable, though discounted, as the phrase is, by the other, which had really in its way exhausted the possibilities of looks. "Oh I want MY fun too," said Nanda, "and little as it may strike you in some ways as looking like it, just this, I beg you to believe, is the real thing. What's at the bottom of it," she went on, "is a talk I had not long ago with mother." "Oh yes," Van returned with brightly blushing interest. "The fun," he laughed, "that's to be got out of 'mother'!" "Oh I'm not thinking so much of that. I'm thinking of any that she hers
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