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rly that every now and then a pile would slip down, covering the floor of the little room with white sheets to its furthest corner. "That is how all his money goes," said the Wooden Staff with an air of good-natured reproof, "he will never have a farthing. As soon as he gets his pay he orders more music from Madrid. It would be far better for Don Luis if he were to buy himself a new hat, even if it were a cheap one, so that the gentlemen of the choir should not laugh at the covering he has on his head." In the winter evenings, after the choir, the musician and Gabriel took refuge in this little room. The canons, wishing to avoid the cold winds and the rain, took their daily walk in the galleries of the upper cloister, not wishing to forego this exercise to which their methodical existence had accustomed them. The rain would beat on the window of the little room, and in the dull grey twilight the musician would turn over his portfolios, or letting his hands wander over the harmonium, he would talk the while with Gabriel, who was seated on the bed. The musician would grow excited, speaking of his love of art. In the midst of some peroration he would become suddenly silent, and bending over the instrument its melodies would fill the room, and floating down the staircase would reach the ears of the walkers in the cloister like a distant echo. Suddenly he would cease playing and resume his chattering, as though afraid that with his absent-mindedness his ideas would evaporate. The silent Luna was the only listener he had met with in the Cathedral; the first who would listen to him for long hours without ridiculing him or thinking him crazy, and who often showed by his short interruptions and questions the pleasure with which he listened. The end of the evening's conversation was always the same--the greatness of Beethoven, the idol of the poor musician. "I have loved him all my life," said the Chapel-master, "I was educated by a Jeronomite friar, an old man driven from his convent who, after leaving it, had wandered over the world as a professor of the violoncello. The Jeronomites were the great musicians of the Church. You did not know this, neither should I have known it if this holy man had not taken me under his protection soon after I was born, and been to me a real father. It appears that in olden days each order devoted itself to some special thing. One, I think the Benedictines, copied and annotated old
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