am afraid I
can't accept it. We must have the best man. Linton is going to box for
the House in the Light-Weights."
XVII
SEYMOUR'S ONE SUCCESS
This polite epistle, it may be mentioned, was a revised version of the
one which Drummond originally wrote in reply to Sheen's request. His
first impulse had been to answer in the four brief words, "Don't be a
fool"; for Sheen's letter had struck him as nothing more than a
contemptible piece of posing, and he had all the hatred for poses which
is a characteristic of the plain and straightforward type of mind. It
seemed to him that Sheen, as he expressed it to himself, was trying to
"do the boy hero". In the school library, which had been stocked during
the dark ages, when that type of story was popular, there were numerous
school stories in which the hero retrieved a rocky reputation by
thrashing the bully, displaying in the encounter an intuitive but
overwhelming skill with his fists. Drummond could not help feeling that
Sheen must have been reading one of these stories. It was all very fine
and noble of him to want to show that he was No Coward After All, like
Leo Cholmondeley or whatever his beastly name was, in _The Lads of
St. Ethelberta's_ or some such piffling book; but, thought Drummond
in his cold, practical way, what about the house? If Sheen thought that
Seymour's was going to chuck away all chance of winning one of the
inter-house events, simply in order to give him an opportunity of doing
the Young Hero, the sooner he got rid of that sort of idea, the better.
If he wanted to do the Leo Cholmondeley business, let him go and chuck
a kid into the river, and jump in and save him. But he wasn't going to
have the house let in for twenty Sheens.
Such were the meditations of Drummond when the infirmary attendant
brought Sheen's letter to him; and he seized pencil and paper and
wrote, "Don't be a fool". But pity succeeded contempt, and he tore up
the writing. After all, however much he had deserved it, the man had
had a bad time. It was no use jumping on him. And at one time they had
been pals. Might as well do the thing politely.
All of which reflections would have been prevented had Sheen thought of
mentioning the simple fact that it was Joe Bevan who had given him the
lessons to which he referred in his letter. But he had decided not to
do so, wishing to avoid long explanations. And there was, he felt, a
chance that the letter might come into other hand
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