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ted, flaking off in thin, lustrous ribbons that are sometimes used by Indians for tent-matting. Its fine color and odd picturesqueness always catch an artist's eye, but to me the Juniper seems a singularly dull and taciturn tree, never speaking to one's heart. I have spent many a day and night in its company, in all kinds of weather, and have ever found it silent, cold, and rigid, like a column of ice. Its broad stumpiness, of course, precludes all possibility of waving, or even shaking; but it is not this rocky steadfastness that constitutes its silence. In calm, sun-days the Sugar Pine preaches the grandeur of the mountains like an apostle without moving a leaf. [Illustration: JUNIPER, OR RED CEDAR.] On level rocks it dies standing, and wastes insensibly out of existence like granite, the wind exerting about as little control over it alive or dead as it does over a glacier boulder. Some are undoubtedly over 2000 years old. All the trees of the alpine woods suffer, more or less, from avalanches, the Two-leaved Pine most of all. Gaps two or three hundred yards wide, extending from the upper limit of the tree-line to the bottoms of valleys and lake basins, are of common occurrence in all the upper forests, resembling the clearings of settlers in the old backwoods. Scarcely a tree is spared, even the soil is scraped away, while the thousands of uprooted pines and spruces are piled upon one another heads downward, and tucked snugly in along the sides of the clearing in two windrows, like lateral moraines. The pines lie with branches wilted and drooping like weeds. Not so the burly junipers. After braving in silence the storms of perhaps a dozen or twenty centuries, they seem in this, their last calamity, to become somewhat communicative, making sign of a very unwilling acceptance of their fate, holding themselves well up from the ground on knees and elbows, seemingly ill at ease, and anxious, like stubborn wrestlers, to rise again. HEMLOCK SPRUCE (_Tsuga Pattoniana_) The Hemlock Spruce is the most singularly beautiful of all the California coniferae. So slender is its axis at the top, that it bends over and droops like the stalk of a nodding lily. The branches droop also, and divide into innumerable slender, waving sprays, which are arranged in a varied, eloquent harmony that is wholly indescribable. Its cones are purple, and hang free, in the form of little tassels two inches long from all the sprays from top
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